Litnet

"The most persistent critique of romance is that it is formulaic: read one, read them all. And yet, it is one of the most resilient genres globally. It outsells most others. It sustains fiercely loyal readers. It adapts."

"Holiday has collected and collated significant, sometimes surprising, and always powerful glimmers of wisdom, reminding his readers that it is our duty to view ourselves as indefatigable readers and archivists of personal wisdom."

Join us for the launch of The wildest beauty by Michiel Heyns on 24 February at the Welgevallen Community Psychology Clinic in Stellenbosch.

"I think identity and especially cultural identity has a lot to do with language – in my case, English and Afrikaans as formative tongues. At bottom, I remain thoroughly South African – rooted, emotionally attached at the hip. But I also find myself very much at home in Wales, original home of my mother."

During the week in which World Read Aloud Day took place for the year, Salamino Mosese read from her children's book Neo’s invisible blanket - in Sepedi.

"What you can and should read him for are the myriad ways in which he reminds us of our responsibility and duty to question what we think we know."

"History likes its villains tidy and its violence abstract. Karen Jennings refuses both. Swaartbooij and Titus opens a wound in the Cape’s colonial past and rubs salt into it, asking not who was right, but who was wronged, who was left to carry the memory when the smoke cleared."

"Intermezzo’s quieter wisdom feels unforced and unhurried – and all the more real and tangible for it."

"Diana was more than a poet. She was a moral compass, a voice for the silenced, and a healer who transformed pain into purpose through language. Her work carried the power to restore dignity, to confront injustice, and to inspire healing across generations."

"Roger Lucey’s How to build a house in the mountains is a book about constructing a legacy from your own ruins."

As a young man in a close-knit Muslim community in Woodstock, Muhammad used to feel trapped between who he was and who he was expected to be. But then he met Riyaaz, and his world shifted in unexpected ways. Haram is an unflinching tale alive with hidden and unspoken desires.

Get ready to share the magic and celebrate the joy of reading aloud.  World Read Aloud Day (WRAD) is celebrated internationally on Wednesday, 4th February 2026, and we want you to be a part of the celebration.

"The poetry whisperer’s workshop is the takeaway from a project inspired by Alison Gwynne Evans, head of the Western Cape Branch of SACEE (the South African Council for English Education). ... Central to the workshop is the idea that the future of poetry should be affirmed, even in times where AI is set to challenge all areas of human endeavour."

"Here we are, thirty-two years into our so-called non-racial, non-sexist democracy premised on human rights that are enshrined in our Constitution, and we have the minister responsible for arts and culture essentially banning an artist from participating in the Venice Biennial, because in his view, her work does not contribute to social cohesion in the country."

"The lesson of history is clear: When political anxieties dictate who may speak, the marketplace of ideas collapses. Every writer’s freedom suffers, not just that of the one targeted."

"Ultimately, this collection is about luck, about how your place in the world is more than just a cosmic accident, and about how you can never, ever outrun your history or fate."

Widely recognised as one of the most influential African writers of her generation, NoViolet Bulawayo was honoured for her short story "Hitting Budapest".

"Don’t expect even a sliver of sensationalist true crime, well-worn clichés that aren’t turned inside out, or gratuitous violence for its own sake. This is resolutely no pornographic exhibition of suffering, and the scheming that does happen is in keeping with the nature and motivation of the characters involved."

"Flesh, Booker winner, strips away its surface, only to reveal astonishing depths below."

"Cassim writes as an insider about local Indian people, about community, about custom and ritual, and about the precarious comforts and sometimes deeply uncomfortable business of being part of a family. You can’t choose your family, but you can choose your friends, and 'found family' is certainly a thing."