Litnet

Digtersweek 2024 bevat ’n paneel bekroonde digters en bied vir elke voornemende en ontluikende digter die ideale geleentheid om hul vaardighede te slyp en hul kennis uit te bou. Die paneel bestaan uit bekroonde digters soos Johan Myburg, Diana Ferrus, René Bohnen, Alwyn Roux en Danie Marais.

Die Jakes Gerwel Stigting (JGS) en NB-Uitgewers kondig met trots die opkomende skrywers van fiksie en niefiksie aan wat gekies is om in 2024 deel te neem aan hul Bosberg-boekskryf-mentorskapprogram.

"Carlo Daniels has the ability to make you giggle at the naivety of young love, and a few moments later rip your heart out with a powerful expression of grief." | This review is Alberto Smit’s final, reworked version after receiving mentor feedback as part of the LitNet | STAND theatre review workshop.

"Written as a series of monologues, the play includes elements of poetry, dance and song. These are not added as mere theatrical devices, but employed instrumentally as functioning agents for the story." | This review is Kwanele Nyembe’s final, reworked version after receiving mentor feedback as part of the LitNet | STAND theatre review workshop.

"The production design itself became a silent storyteller, shaping the audience’s perception and enriching their understanding of the Xhosa cultural landscape." | This review is Jane Mpholo’s final, reworked version after receiving mentor feedback as part of the LitNet | STAND theatre review workshop.

"The scenes using physical theatre create strange tapestries akin to the moments of absurdism when dreaming, while the use of puppetry introduces an ancient magic that captures the folklore of the Karoo people." | This review is Klara van Rooyen’s final, reworked version after receiving mentor feedback as part of the LitNet | STAND theatre review workshop.

"The audience becomes part of a social experiment, rather than watching a play. This serves as a solid foundation to explore human apathy, societal responsibility and the nature of evil." | This review is Ignus Rademeyer’s final, reworked version after receiving mentor feedback as part of the LitNet | STAND theatre review workshop.

"Minnaar neem ons deur Boesak se uitdagende grootwordjare onder apartheid in Noorder Paarl, sy verset teen die apartheidsregime en sy worsteling met die kerk se betrokkenheid daarby, asook met sy geloof as bruin man." | Hierdie resensie is deur die deelnemer hersien en geskaaf. Dit is die finale weergawe van hierdie resensie, wat deel vorm van die LitNet | STAND-teaterresensieslypskool.

"Die neteligheid van leë beloftes skuif soos ’n wolk oor die gehoor en dié bedryf herinner aan die doellose deurmekaarspul waarin die reënboognasie tans verkeer." | Hierdie resensie is deur die deelnemer hersien en geskaaf. Dit is die finale weergawe van hierdie resensie, wat deel vorm van die LitNet | STAND-teaterresensieslypskool.

"Die lang swart jas wat hy op die verhoog gedra het, simboliseer hierdie 'swart hond'. Wanneer dit met hom goed gegaan het, het hy die swart jas afgegooi." | Hierdie resensie is deur die deelnemer hersien en geskaaf. Dit is die finale weergawe van hierdie resensie, wat deel vorm van die LitNet | STAND-teaterresensieslypskool.

"Ons beleef Pretorius se teatrale gedaanteverwisseling soos wat hy sy gesig wit verf in een van Johan se monoloë." | Hierdie resensie is deur die deelnemer hersien en geskaaf. Dit is die finale weergawe van hierdie resensie, wat deel vorm van die LitNet | STAND-teaterresensieslypskool.

"Tsekmate issie net textually jarring, maa dit gryp aan jou sintuie as well; jou bene sidder as ’n trommel geslaan is, die reuk van ’n sigaret laat jou voel asof jy langs die karakters sit." | Hierdie resensie is deur die deelnemer hersien en geskaaf. Dit is die finale weergawe van hierdie resensie, wat deel vorm van die LitNet | STAND-teaterresensieslypskool.

Here is the final round of feedback from the LitNet | STAND theatre review workshop mentors: Tracy Saunders and Nkgopoleng Moloi react to the second version of Kwanele Nyembe’s theatre review.

Here is the final feedback from the LitNet | STAND theatre review workshop mentors: Tracy Saunders and Nkgopoleng Moloi react to the second version of Klara van Rooyen’s theatre review.

Here is the final round of feedback from the LitNet | STAND theatre review workshop mentors: Tracy Saunders and Nkgopoleng Moloi react to the second version of Jane Mpholo’s theatre review.

Here is the final feedback from the LitNet | STAND theatre review workshop mentors: Tracy Saunders and Nkgopoleng Moloi react to the second version of Ignus Rademeyer’s theatre review.

Here is the final round of feedback from the LitNet | STAND theatre review workshop mentors: Tracy Saunders and Nkgopoleng Moloi react to the second version of Alberto Smit’s theatre review.

Hier is die finale terugvoer vanaf die mentors van die LitNet STAND-teaterresensieslypskool. Wayne Muller en Mercy Kannemeyer reageer op die tweede weergawe van Olga Leonard se resensie.

Hier is die finale terugvoer vanaf die mentors van die LitNet | STAND-teaterresensieslypskool. Wayne Muller en Mercy Kannemeyer reageer op die eerste weergawe van Paul Kammies se resensie.

Hier is die finale terugvoer vanaf die mentors van die LitNet | STAND-teaterresensieslypskool. Wayne Muller en Jean Meiring reageer op die finale weergawe van Cathy Hugo se resensie.