Litnet

LitNet en STAND (The Sustaining Theatre and Dance Foundation) bied oor die volgende maande ’n aanlyn teaterresensiekursus vir vyf Afrikaanse en vyf Engelse aspirantresensente aan. Hier is al die inligting. | Over the next few months LitNet and STAND (The Sustaining Theatre and Dance Foundation) will be presenting an online theatre review workshop for five aspiring Afrikaans and five aspiring English theatre reviewers. Here is all the information.

"My hope is that the moon will continue gazing down at these two theatre makers, and that we will continue meeting them in dimly lit rooms where they shine brightly among the stars." | This review was revised and updated by the participant. This is the second version of this review, which forms part of the LitNet | STAND theatre review workshop.

"Droomkraan-kronieke is recommended for audiences who seek to be enraptured and desire a dynamic theatre-going experience." | This review was revised and updated by the participant. This is the second version of this review, which forms part of the LitNet | STAND theatre review workshop.

"Die neteligheid van leë beloftes skuif soos ’n wolk oor die gehoor en dié bedryf herinner aan die doellose deurmekaarspul waarin die reënboognasie tans verkeer." | Hierdie resensie is deur die deelnemer hersien en geskaaf. Dit is die tweede weergawe van hierdie resensie, wat deel vorm van die LitNet | STAND-teaterresensieslypskool.

"Dit herinner ’n mens daaraan dat die krag van goeie, fisieke karakterisering en subtiele stemverwisseling oorgenoeg is om ’n storie te vertel." | Hierdie resensie is deur die deelnemer hersien en geskaaf. Dit is die tweede weergawe van hierdie resensie, wat deel vorm van die LitNet | STAND-teaterresensieslypskool.

"Tsekmate issi net textually jarring nie, maa dit gryp aan jou sintuie as well. Die geselskap is hoogs professional. Lottering en Harris se skryfwêk is deliberate en duidelik. Die geselskap speel saam mekaar soes ’n orchestra, in sync met mekaar."| Hierdie resensie is deur die deelnemer hersien en geskaaf. Dit is die tweede weergawe van hierdie resensie, wat deel vorm van die LitNet | STAND-teaterresensieslypskool.

"Die pyn in Herman se gesigsuitdrukkings, asook sy gebroke stemtoon verklap ’n diepgewortelde seer en hy katrol die gehoor meesterlik daardeur in." | Hierdie resensie is deur die deelnemer hersien en geskaaf. Dit is die tweede weergawe van hierdie resensie, wat deel vorm van die LitNet | STAND-teaterresensieslypskool.

"Die stuk kort meer perspektiewe as net Boesak s’n. Minnaar kom onseker voor in sy vertolking, senuweeagtig." | Hierdie resensie is deur die deelnemer hersien en geskaaf. Dit is die tweede weergawe van hierdie resensie, wat deel vorm van die LitNet | STAND-teaterresensieslypskool.

"The core of Monsters lies in its narrative structure, a mosaic of tragedy, complicity and moral ambiguity." | This review was revised and updated by the participant. This is the second version of this review, which forms part of the LitNet | STAND theatre review workshop.

"This production was site-specific, making use of the space and elements found there. The cast moved the story from one outdoor location to the next, incorporating trees, grass and stones into the narrative." | This review was revised and updated by the participant. This is the second version of this review, which forms part of the LitNet | STAND theatre review workshop.

"The production does not only contribute to case studies in the development of the choreopoem as a dramatic style of African storytelling for post-apartheid South Africa, but also serves as a social agent that holds a mirror to society, challenging the audience to question their role in the marginalisation of women." | This review was revised and updated by the participant. This is the second version of this review, which forms part of the LitNet | STAND theatre review workshop.

Here is the first round of feedback from the LitNet | STAND theatre review workshop mentors: Tracy Saunders and Nkgopoleng Moloi react to the first version of Kwanele Nyembe’s theatre review.

Here is the first round of feedback from the LitNet | STAND theatre review workshop mentors: Tracy Saunders and Nkgopoleng Moloi react to the first version of Alberto Smit’s theatre review.

Here is the first round of feedback from the LitNet | STAND theatre review workshop mentors: Tracy Saunders and Nkgopoleng Moloi react to the first version of Klara van Rooyen’s theatre review.

Here is the first round of feedback from the LitNet | STAND theatre review workshop mentors: Tracy Saunders and Nkgopoleng Moloi react to the first version of Ignus Rademeyer’s theatre review.

Here is the first round of feedback from the LitNet | STAND theatre review workshop mentors: Tracy Saunders and Nkgopoleng Moloi react to the first version of Jane Mpholo’s theatre review.

Hier is die eerste terugvoer vanaf die mentors van die LitNet STAND-teaterresensieslypskool. Wayne Muller en Mercy Kannemeyer reageer op die eerste weergawe van Olga Leonard se resensie.

Hier is die eerste terugvoer vanaf die mentors van die LitNet | STAND-teaterresensieslypskool. Wayne Muller en Mercy Kannemeyer reageer op die eerste weergawe van Paul Kammies se resensie.

Hier is die eerste terugvoer vanaf die mentors van die LitNet | STAND-teaterresensieslypskool. Wayne Muller en Mercy Kannemeyer reageer op die eerste weergawe van Cathy Hugo se resensie.

Hier is die eerste terugvoer vanaf die mentors van die LitNet | STAND-teaterresensieslypskool. Wayne Muller en Jean Meiring reageer op die eerste weergawe van Candice Jantjies se resensie.