Litnet

The book will be launched in Johannesburg on 9 May and Peter Bruce will be in conversation with the author.

"This article deals with the relatively little-known composer Robert Fuchs, who used developing variation – a composition technique associated predominantly with Johannes Brahms – in his First Piano Trio."

"It is a mature and impressive novel, and one which many readers are likely to revisit in their memories or by rereading the text."

"The main question is Tsafendas’s motive, and the fact that, for more than 50 years, people believed that Tsafendas killed Verwoerd because of a tapeworm, and that he was an apolitical idiot."

"I would recommend reading it for your own understanding of how sexuality and sexual expression are not uniform across communities, and that it’s alright that we are not a homogeneous species."

Six young stars will have the chance to shine in the South African premiere of hit Tony Award-winning musical KINKY BOOTS. Presented by Eric Abraham and The Fugard Theatre, a brand new, original production of this huge-hearted musical will run at The Fugard Theatre from 11 June 2019.

"She will hope against all hope
that her day will seem brighter
through concealer and dark glasses."

"I remember now. I remember everything. I remember my brother’s defiance, my mother’s tears and heartache and defeatist attitude. The music school behind her eyes, and I would see the sea in his father’s knuckles."

"The big question stands: how did it get its name, the Lanzerac? How did she come upon the name?"

"This is an example of what I call the eighth petal of the sacred lotus in Breytenbach’s work. It indicates the ways in which Breytenbach plays with and stretches language and cognitive frameworks."

"Humans have participated in mass migrations since the earliest dawn of human society. ... Understanding how the Patagonian Afrikaans community has negotiated their identity and their relation to place is, therefore, a very current topic, and can be of value to the understanding of current migrant communities."

Pieter-Louis Myburgh’s Gangster State: Unravelling Ace Magashule’s Web of Capture was recently launched at the CapeTalk (and Kfm) studios, Cape Town. Myburgh was interviewed by Adriaan Basson.

"The days are paler: plump, acidic, 
Granny Smith apple days."

"Capernaum is a stirring take on poverty, child abuse and overpopulation. It won’t traumatise you or leave you despondent, though."

Mama runs until Saturday 13 April at the Artscape. Mama (portrayed by Chenal Kock and directed by Jeremeo Le Cordeur) is a character piece, showcased through poetry and physical theatre, that focuses on the Afrikaaps dialect. Menán van Heerden chats to Chenal and Jeremeo to find out more.

"The Bill erodes copyright protection. It makes it impossible for creators of academic work to protect their legitimate interests, such as being remunerated for their work and having their work’s integrity respected."

Hermann Giliomee's The rise and demise of the Afrikaners was recently launched at Exclusive Books Stellenbosch. Giliomee was interviewed by Albert Grundlingh.

"The National Arts Festival, now in its 45^th year, offers excellent theatre, dance, music, movement and interactive pieces for children to enjoy throughout the eleven days from 27 June to 7 July."

"spilling the silence
into quiet and the quiet into
quieter still"

"He was still a dream. Roberto, Roberto, Roberto. She had phoned him once. Once was all it took to realise that her dream of him didn’t quite match up to the reality of him. She didn’t even think of her own dignity and pride."