Skryfsake en rubrieke

Inligting oor alle skryfverwante sake

Information about all writing-related matters

LitNet | STAND-teaterresensieslypskool 2023 | Finale mentorsterugvoer: Boesak, geresenseer deur Candice Jantjies

Jean Meiring, Wayne Muller Slypskole 2023-12-13

Hier is die finale terugvoer vanaf die mentors van die LitNet | STAND-teaterresensieslypskool. Wayne Muller en Jean Meiring reageer op die tweede weergawe van Candice Jantjies se resensie.

LitNet | STAND: Teaterresensieslypskool 2023 | Theatre review workshop 2023

LitNet Slypskole 2023-11-21

LitNet en STAND (The Sustaining Theatre and Dance Foundation) bied oor die volgende maande ’n aanlyn teaterresensiekursus vir vyf Afrikaanse en vyf Engelse aspirantresensente aan. Hier is al die inligting. | Over the next few months LitNet and STAND (The Sustaining Theatre and Dance Foundation) will be presenting an online theatre review workshop for five aspiring Afrikaans and five aspiring English theatre reviewers. Here is all the information.

LitNet | STAND: Theatre review of Jessie, die man en die maan (version 2)

Alberto Smit Slypskole 2023-11-21

"My hope is that the moon will continue gazing down at these two theatre makers, and that we will continue meeting them in dimly lit rooms where they shine brightly among the stars." | This review was revised and updated by the participant. This is the second version of this review, which forms part of the LitNet | STAND theatre review workshop.

LitNet | STAND: Theatre review of Droomkraan-kronieke (version 2)

Klara van Rooyen Slypskole 2023-11-21

"Droomkraan-kronieke is recommended for audiences who seek to be enraptured and desire a dynamic theatre-going experience." | This review was revised and updated by the participant. This is the second version of this review, which forms part of the LitNet | STAND theatre review workshop.

LitNet | STAND: Teaterresensie van The promise (weergawe 2)

Olga Leonard Slypskole 2023-11-21

"Die neteligheid van leë beloftes skuif soos ’n wolk oor die gehoor en dié bedryf herinner aan die doellose deurmekaarspul waarin die reënboognasie tans verkeer." | Hierdie resensie is deur die deelnemer hersien en geskaaf. Dit is die tweede weergawe van hierdie resensie, wat deel vorm van die LitNet | STAND-teaterresensieslypskool.

LitNet | STAND: Teaterresensie van Die ontelbare 48 (weergawe 2)

Jeani Heyns Slypskole 2023-11-21

"Dit herinner ’n mens daaraan dat die krag van goeie, fisieke karakterisering en subtiele stemverwisseling oorgenoeg is om ’n storie te vertel." | Hierdie resensie is deur die deelnemer hersien en geskaaf. Dit is die tweede weergawe van hierdie resensie, wat deel vorm van die LitNet | STAND-teaterresensieslypskool.

LitNet | STAND: Teaterresensie van Tsekmate (weergawe 2)

Paul Kammies Slypskole 2023-11-21

"Tsekmate issi net textually jarring nie, maa dit gryp aan jou sintuie as well. Die geselskap is hoogs professional. Lottering en Harris se skryfwêk is deliberate en duidelik. Die geselskap speel saam mekaar soes ’n orchestra, in sync met mekaar."| Hierdie resensie is deur die deelnemer hersien en geskaaf. Dit is die tweede weergawe van hierdie resensie, wat deel vorm van die LitNet | STAND-teaterresensieslypskool.

LitNet | STAND: Teaterresensie van Hoerkind (weergawe 2)

Cathy Hugo Slypskole 2023-11-21

"Die pyn in Herman se gesigsuitdrukkings, asook sy gebroke stemtoon verklap ’n diepgewortelde seer en hy katrol die gehoor meesterlik daardeur in." | Hierdie resensie is deur die deelnemer hersien en geskaaf. Dit is die tweede weergawe van hierdie resensie, wat deel vorm van die LitNet | STAND-teaterresensieslypskool.

LitNet | STAND: Teaterresensie van Boesak (weergawe 2)

Candice Jantjies Slypskole 2023-11-21

"Die stuk kort meer perspektiewe as net Boesak s’n. Minnaar kom onseker voor in sy vertolking, senuweeagtig." | Hierdie resensie is deur die deelnemer hersien en geskaaf. Dit is die tweede weergawe van hierdie resensie, wat deel vorm van die LitNet | STAND-teaterresensieslypskool.

LitNet | STAND: Theatre review of Monsters (version 2)

Ignus Rademeyer Slypskole 2023-11-21

"The core of Monsters lies in its narrative structure, a mosaic of tragedy, complicity and moral ambiguity." | This review was revised and updated by the participant. This is the second version of this review, which forms part of the LitNet | STAND theatre review workshop.

LitNet | STAND: Theatre review of Ijoloba: The prophecy (version 2)

Jane Mpholo Slypskole 2023-11-21

"This production was site-specific, making use of the space and elements found there. The cast moved the story from one outdoor location to the next, incorporating trees, grass and stones into the narrative." | This review was revised and updated by the participant. This is the second version of this review, which forms part of the LitNet | STAND theatre review workshop.

LitNet | STAND: Theatre review of Around the fire (version 2)

Kwanele Nyembe Slypskole 2023-11-21

"The production does not only contribute to case studies in the development of the choreopoem as a dramatic style of African storytelling for post-apartheid South Africa, but also serves as a social agent that holds a mirror to society, challenging the audience to question their role in the marginalisation of women." | This review was revised and updated by the participant. This is the second version of this review, which forms part of the LitNet | STAND theatre review workshop.

LitNet | STAND: Theatre review workshop 2023 mentor feedback | Kwanele Nyembe’s review of Around the fire

Tracey Saunders, Nkgopoleng Moloi Slypskole 2023-11-08

Here is the first round of feedback from the LitNet | STAND theatre review workshop mentors: Tracy Saunders and Nkgopoleng Moloi react to the first version of Kwanele Nyembe’s theatre review.

LitNet | STAND: Theatre review workshop 2023 mentor feedback | Alberto Smit’s review of Jessie, die man en die maan

Tracey Saunders, Nkgopoleng Moloi Slypskole 2023-11-08

Here is the first round of feedback from the LitNet | STAND theatre review workshop mentors: Tracy Saunders and Nkgopoleng Moloi react to the first version of Alberto Smit’s theatre review.

LitNet | STAND theatre review workshop 2023 mentor feedback | Klara van Rooyen’s review of Droomkraan-kronieke

Tracey Saunders, Nkgopoleng Moloi Slypskole 2023-11-08

Here is the first round of feedback from the LitNet | STAND theatre review workshop mentors: Tracy Saunders and Nkgopoleng Moloi react to the first version of Klara van Rooyen’s theatre review.

LitNet | STAND theatre review workshop 2023 mentor feedback | Ignus Rademeyer’s review of Monsters

Tracey Saunders, Nkgopoleng Moloi Slypskole 2023-11-08

Here is the first round of feedback from the LitNet | STAND theatre review workshop mentors: Tracy Saunders and Nkgopoleng Moloi react to the first version of Ignus Rademeyer’s theatre review.

LitNet | STAND theatre review workshop 2023 mentor feedback | Jane Mpholo’s review of Ijoloba: The prophecy

Tracey Saunders, Nkgopoleng Moloi Slypskole 2023-11-08

Here is the first round of feedback from the LitNet | STAND theatre review workshop mentors: Tracy Saunders and Nkgopoleng Moloi react to the first version of Jane Mpholo’s theatre review.

LitNet | STAND-teaterresensieslypskool 2023 | Eerste mentorsterugvoer: The promise geresenseer deur Olga Leonard

Wayne Muller, Mercy Kannemeyer Slypskole 2023-11-08

Hier is die eerste terugvoer vanaf die mentors van die LitNet STAND-teaterresensieslypskool. Wayne Muller en Mercy Kannemeyer reageer op die eerste weergawe van Olga Leonard se resensie.

LitNet | STAND-teaterresensieslypskool 2023 | Eerste mentorsterugvoer: Tsekmate, geresenseer deur Paul Kammies

Wayne Muller, Mercy Kannemeyer Slypskole 2023-11-08

Hier is die eerste terugvoer vanaf die mentors van die LitNet | STAND-teaterresensieslypskool. Wayne Muller en Mercy Kannemeyer reageer op die eerste weergawe van Paul Kammies se resensie.

LitNet | STAND-teaterresensieslypskool 2023 | Eerste mentorsterugvoer: Hoerkind, geresenseer deur Cathy Hugo | LitNet STAND-teaterresensieslypskool 2023

Wayne Muller, Mercy Kannemeyer Slypskole 2023-11-08

Hier is die eerste terugvoer vanaf die mentors van die LitNet | STAND-teaterresensieslypskool. Wayne Muller en Mercy Kannemeyer reageer op die eerste weergawe van Cathy Hugo se resensie.

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