Litnet

"It is not often that a volume of poetry captures the public imagination in South Africa. Yet, Siphokazi Jonas’s Weeping becomes a river has done just that. This is an unlikely and heartening success in a literary landscape where poetry is often treated as the private language of a select few. One wonders, inevitably, about the reasons behind this resonance."

"The first chapter also provides a vivid portrait of a cultural, linguistic and continental outsider’s journey to this most enigmatic of collections. That he is further unafraid of discussing his own missteps relative to working with the material, and of reflecting on major personal events that tie in with his research, such as his father’s passing from cancer while trying to start an academic career, marks this section as particularly moving."

"What an interesting and peaceful place. There is a strange quiet about this city that caught me off guard. It almost feels as if one is walking in an old movie set in a studio mimicking a city."

"It did start as memoir, as many of my stories do. A draft of this was written as and when it happened. But a life story does not always a good short story make. I had this in my trunk for years, and when the opportunity to submit it for Power came around, I wove in the power cuts so that it had a literal symbol, and then realised I’d thematicised the voyage from disempowerment to empowerment of the women in the story."

"The rural Western Cape town of Porterville came alive on 23 and 24 September with the second iteration of the Purple Mountain Heritage Day Festival, a free, 36-hour celebration of heritage through art, poetry, storytelling, traditional food, music, photography and astronomy."

"The weeklong journey the characters undertake provides a marvellous readymade itinerary for anyone wishing to follow the tour – although personally I think you’d need two weeks, not one!"

"Breyten Breytenbach is of virtually unparalleled stature in South Africa’s contemporary Afrikaans-language literary landscape."

"The next morning, there was a little AI niggle in my brain. What if? Could it be? Was it time to pack up and go teach English to little children in South Korea?"

"There is a freedom in speculative fiction that doesn’t exist in any other genre – anything can happen. That kind of freedom, once tasted, is addictive. And that is what fantasy has provided me – a place to articulate these stories fully. This particular story begins with a dream, possibly the oldest of all that is speculative."

"Morafe: Person, family and nation in colonial Bechuanaland, 1880s-1950s is a landmark achievement. Khumisho Moguerane has written a history that matters for our time by filling the lacunae in southern African historiography."

"These issues are not unique to Johannesburg, Cape Town and the other big cities (metros), but are very relevant in all municipalities."

"As associations representing writers who contribute to and are dependent on the arts and culture eco-system that these festivals serve, we see the arbitrary and sudden withdrawal of government support as damaging and ill advised."

"The moment it starts feeling like a lecture, you’ve lost the audience. The key is to create compelling characters who want something and who drive the story forward. If the drama is truthful and the characters are engaging, the history or the message comes through naturally."

"It is always evident when directors have properly supported their cast in realising and portraying fully formed characters. This production is one in which it shows."

JM Coetzee: "I am a lighter – a more light-hearted – and a better person in Afrikaans."

"They could tell us of legends
of times long past
Of love, life and laughter
echoed in a universe vast..."

"It was a pleasant reminder that there is an entire world out there that believes in African stories enough to give us two weeks to hammer out our plots and characters, vivify our paper worlds and bring them fully to life."

After a triumphant national tour, SboNdaba Dance returns to the Western Cape with its acclaimed production In search of our humanity. This homecoming performance at the Toyota Stellenbosch Woordfees offers local audiences a rare chance to experience the company’s powerful artistry and storytelling. Praised for its striking choreography and evocative soundscapes, the production showcases the raw physicality of SboNdaba’s dancers.

Over the past two decades, Malema has leveraged his growing political clout to bankroll his party and amass a personal fortune. In this revealing book, investigative journalists Micah Reddy and Pauli van Wyk follow the money, demonstrating how Malema built his fiefdom. 

"A town not in a hurry.
Architecture whispers
like a scene from a Victorian film."