Litnet

Performed in Afrikaans with English surtitles, this exciting drama is loosely based on Christopher Marlowe's Edward II of 1594. | Wat beteken dit om ’n kroon te dra en dan, hoe versoen jy as koning jou eie behoeftes met die verwagtinge van die adel en die gepeupel, asook dié van jou vrou en kind?

"If, as an African in particular, you visit China or want to learn more comprehensively about the lives of Africans in China, buy Noo Saro-Wiwa’s Black ghosts. You can thank me later."

"In his genius way, and always with a satirical and humorous tongue in the cheek, the reader is not only confronted with – but also brought up to date with – the latest science and questions about the reality in which we live."

Apart from being a platform on which South Africans from all walks can express themselves, the AVBOB Poetry Library has become an essential resource for readers and writers of poetry, helping aspiring poets to learn their craft and sharpen their skills. In this way, the AVBOB Poetry Project is fostering a community of poets across the country.

"And then, a mother is necessarily also the bridge through which we enter this world. Every single one of us crossed that bridge to get here, irrespective of the relationships we may have with our mothers throughout the rest of our lives."

"The group writes poetry, publishes an anthology and uses the money raised to fund their next anthology."

The beloved Afrikaans children’s classic Liewe Heksie vang vis, performed by Margit Meyer-Rödenbeck, flies into The Baxter for a short season this summer from 13 to 21 December 2023 at 10:00 and 12:00.

Here is the final round of feedback from the LitNet | STAND theatre review workshop mentors: Tracy Saunders and Nkgopoleng Moloi react to the second version of Kwanele Nyembe’s theatre review.

Here is the final feedback from the LitNet | STAND theatre review workshop mentors: Tracy Saunders and Nkgopoleng Moloi react to the second version of Klara van Rooyen’s theatre review.

Here is the final round of feedback from the LitNet | STAND theatre review workshop mentors: Tracy Saunders and Nkgopoleng Moloi react to the second version of Jane Mpholo’s theatre review.

Here is the final feedback from the LitNet | STAND theatre review workshop mentors: Tracy Saunders and Nkgopoleng Moloi react to the second version of Ignus Rademeyer’s theatre review.

Here is the final round of feedback from the LitNet | STAND theatre review workshop mentors: Tracy Saunders and Nkgopoleng Moloi react to the second version of Alberto Smit’s theatre review.

"It’s difficult to explain, especially when asked what is and isn’t 'true', and I always end up saying that all the feelings are real, but that I may have made up the incidents and even the characters to put those feelings across."

"The intertexts, coordinates and ontologies offered in the poems create an intricate network of significance in which many voices are deployed, some echoing others, a polyphony that exalts in the musicality of language, the tone and pulse of words, their conjunctions and conjurations."

"Ashwin Desai and Goolam Vahed must be credited for making me see new beauty in what is vanishing. And for elevating the Durban Casbah to the pantheon of great South African places like District Six and Sophiatown."

African languages for a global audience: publishers, writers, and translators on the art of translation. Join Bhakti Shringarpure, Hannes Barnard, Raphael Thierry and Tina Kover for a roundtable discussion on translated literature.

Terry Tselane is the executive chairman of the Institute of Election Management Services in Africa (IEMSA), which will act as an election watchdog in the coming South African elections. Freek Robinson asked him to explain the role and the powers of an election watchdog. Also: Who watches the watchdog, and what would happen if the watchdog and the ruling party were to disagree on the outcome of the election?

Political theorist Steven Friedman addresses how and why the current language around anti-Semitism in Israel has been distorted and weaponised to serve the political objectives of the Israeli state. Friedman’s critique examines what this implies for the fight against racism in South Africa and India, and in other parts of the world.

The UCT Summer School takes place from 13 to 27 January 2024. Download the complete brochure here.

"Maybe it’s good that much of it is now consolidated into one volume – but we’ve heard it so often and for so long that it is hardly now exciting."