Litnet

"Widespread municipal corruption, management failures, poor skills and continual disruptions raise serious questions about the prospects of municipalities or other public bodies sustainably delivering better services. Meanwhile, National Treasury has often cited ineffective grant utilisation by municipalities as a key reason for why water finances have not reached local low-income groups."

An international judging panel has shortlisted twenty-three outstanding stories for the world’s most global literature prize. The shortlisted writers hail from 13 countries across the Commonwealth and their ambitious stories span continents and decades.

"The word 'intent' is of paramount importance here."

Join us for an evening filled with lively discussions around Ian Sutherland’s new novel, Catastrophe. Set against the backdrop of a world teetering on the brink of disaster, this thought-provoking novel explores themes of resilience, redemption, and the pursuit of truth in the face of overwhelming adversity.

"This always seems to happen nowadays: When wars break out conveniently close and accessible to the world’s press, they get wall-to-wall coverage."

This one-of-a-kind festival, curated by award-winning internationally acclaimed producer/engineer and LGBTQ+ activist, Christi van der Colff, promises to be a deconstructed celebration aimed at fostering genuine connections through the mediums of music, art, and film.

"One or two clicks could turn into Johnny Cash performing 'Barbie girl' or create a photograph of Steve Hofmeyr singing into a barbecue sausage."

The king of broken things is a journey into the broken heart of a young boy, a journey of discovery through his experiments, projects, and creations. He teaches us that the rehabilitation of broken things includes people and hearts, and that all things, seen and unseen, can be mended. Whether you’re 8 or 80, The king of broken things will rehabilitate every heart – it’s not just for young audiences.

"South Africa’s foreign policy towards Israel and its war in Gaza should therefore not be seen in isolation, but as part of a broader framework in which the cause of the weak, marginalised and oppressed is apparently advocated."

"Opera is always important, no matter where you find yourself."

Whether embarking on a bizarre quest to find Cecil Rhodes’s missing nose (sliced off the bust of the Rhodes Memorial) or bike-packing the Scottish islands with a couple of squabbling anarchists; whether learning to surf (much too late) in the wild, freezing waters off the Cape Peninsula or navigating the fraught politics of a Buddhist retreat centre – the author explores forgotten utopias, intentional communities and islands of imagination with curiosity, hope and humour.

Join her, as she takes the audience on an evening of comedy, celebrating the strengths and weaknesses of South Africa’s democracy - just in time - as the country gears up for the 2024 big elections.

"I remember that it was a close-up photo of Opperman’s face which illustrated one of his poetry collections. I was fascinated by the detail, which I immediately associated with a landscape. This was the impetus which inspired me to start writing."

Following the success of our first Skrywersaand, we are pleased to invite you to our second event in this series on 11 April at Oude Leeskamer in Stellenbosch. Jonathan Amid will poke the bear with these two live-wire authors, asking whether their writing is indeed disturbing the comfortable and comforting the disturbed.

Early in February, the AVBOB Poetry Project announced its first mini-competition for 2024 on the theme of “Across a crowded street”. In a cultural landscape where our words can easily divide us and box us in, poets were invited to find their most urgent words, whether tender and encouraging or new and challenging. Today, we announce the winning poets and share their extraordinary poems.

Kriptaal is an exhibition of paintings, drawings and prints by Gideon Nel and Jotam Schoeman. In this collection of work the artists contemplate the mystery of the cosmic and the particular, each in the style of their own visual language.

"It is often said that South Africa does not have a theatre-going culture, so the day is a good tool to remind the public that theatre exists. I say this partly in jest, because performance and storytelling are part of our country’s cultural core and we are natural audience members (if we break away from stereotypical ideas of 'theatre')."

"Live theatre is a moment to become silent and reflect on life; it’s a moment to peek into something you might not know; it’s a moment to relieve yourself from something that’s causing adversity, or even to confront it creatively."

"It’s difficult to talk about the status of South African theatre without sounding very cynical,  but it is my opinion that many works that are actually really important and should be seen are often poorly attended and funded and therefore cannot gain traction or travel so that more audiences can see them."

"Even though it falls under the entertainment industry, theatre provokes discussions, teaches, and can be therapeutic. It takes a big team to get an idea into fruition. It takes a special team to leave an everlasting mark on someone’s life, be it visually or solely the performance aspect. Theatre moves."