Mxolisi Masilela (photo provided)
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“The first Independent Theatre Maker Awards has arisen from a need to recognise and celebrate the contributions of independent theatre makers, who often work outside of traditional theatre structures.”
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Mxolisi Masilela talks to Naomi Meyer about the Independent Theatre Maker Awards, which took place a few days ago.
Dear Mxolisi, please would you tell our readers about your background and who you are, and about your journey to where you are now?
I quote from “Mxolisi Masilela: A journey through theatrical brilliance”:
In the realm of performing arts, where creativity and innovation are paramount, one name shines with exceptional brilliance – Mxolisi Masilela. As the founder, artistic director and CEO of the award-winning Live (T) and Recorded (x) Theatre Production, Mxolisi has carved an indelible mark on the theatrical landscape. His journey, a tapestry of dedication and artistic exploration, spans continents and resonates with the echoes of captivating performances.
Mxolisi Masilela’s story commences at the hallowed grounds of the Windybrow Theatre’s performing arts centre. It is here that he honed his skills as an actor, director and playwright. The foundations laid during these formative years would serve as the bedrock for his illustrious career in the performing arts.
His dedication to his craft led Mxolisi across the seas to the National Institute of Dramatic Arts in Australia in 2018. As part of a 12-week exchange programme, he immersed himself in the art of ritual as performance, expanding his artistic horizons and adding a global perspective to his creative arsenal.
Mxolisi Masilela’s contribution to the theatrical landscape goes beyond individual performances. As the founder and artistic director of Live (T) and Recorded (x) Theatre Production, he orchestrates a symphony of creativity that has garnered acclaim and recognition. His productions not only entertain but are also thought-provoking, challenging the boundaries of conventional storytelling.
Among his notable directorial achievements is Thula thula, a remarkable creation that graced the Market Theatre in 2014. The play, characterised by its emotional depth and thought-provoking narrative, left audiences captivated and showcased Mxolisi’s ability to bring stories to life on the stage.
Queen the chosen ones, another jewel in his directorial crown, earned a Naledi nomination in 2013. This accolade is a testament to Mxolisi’s ability to create compelling narratives that resonate with audiences and peers alike.
The asylum further demonstrated his directorial prowess at the Ishashalazi Theatre Festival. The play, with its unique blend of drama and introspection, wowed audiences and solidified Mxolisi’s reputation as a visionary director with an ability to engage and captivate.
These are not my shoes, a production that enjoyed success during the Tembisa Theatre Week, at the Joburg Theatre and at the Fiti International Theatre Festival in Mozambique, showcased Mxolisi’s versatility as a director capable of navigating different cultural landscapes.
Mxolisi Masilela’s journey as a director reached new heights with his masterful direction of the Standard Bank Gold Ovation Award-winning production Medumo ya borwa at the 2018 National Arts Festival. This accolade is a testament to his ability to create productions that not only resonate with audiences but also garner critical acclaim on a national scale.
Six characters in search of an author, a production at the Market Theatre, further attested to Mxolisi’s directorial finesse. Naledi-nominated, this play showcased his ability to handle complex narratives and orchestrate performances that leave a lasting impact on the audience.
His enchanting production Exhibition not only garnered well-deserved acclaim, but also traversed the African continent, showcasing Mxolisi’s reach and influence in the world of theatre production.
Mxolisi Masilela’s contributions to the performing arts extend beyond the stage. His commitment to nurturing talent is evident in his role as the cofounder and artistic director of the Kuwamba National Women’s Theatre Festival. This initiative, rooted in inclusivity and empowerment, highlights Mxolisi’s belief in the transformative power of theatre as a platform for diverse voices.
As a mentor, Mxolisi generously shares his knowledge with aspiring theatre creatives. Serving as the assistant director for the Naledi-nominated production Six characters in search of an author and contributing his dramaturgical talents to Luyanda Sidiya’s Phases, he actively participates in shaping the next generation of theatre artists.
His latest offering, Walls and pillows, which is poised to embark on a nationwide and continent-wide tour, is a testament to his commitment to pushing artistic boundaries and engaging audiences on a global scale.
Mxolisi Masilela’s creative brilliance extends beyond the realm of directing; he is also a prolific writer with a repertoire of captivating plays. Titles like The contour, Mabu, The asylum, White walls, These are not my shoes, Exhibition, Walls and pillows, Uncharted, Medumo yabarwa, Adam’s ale, Malepa: The musical and Leina showcase his versatility and ability to explore diverse themes.
Each play is a unique journey into the complexities of human experience, reflecting Mxolisi’s keen observation and deep understanding of the human condition. From introspective dramas to light-hearted musicals, his writing reveals a nuanced and multifaceted approach to storytelling.
Mxolisi Masilela’s influence extends to the small screen, where his acting prowess has dazzled audiences. A prominent role in the Mzansi Magic series Stash showcases his ability to captivate not only on stage, but also in front of the camera. This cross-medium influence underscores Mxolisi’s versatility as an artist capable of navigating various facets of the entertainment industry.
His impact has transcended borders, having earned him a theatre-making residency at the University of Michigan in the United States. Here, he engaged in global theatre exchanges, further enriching his artistic perspective. Additionally, Mxolisi shared his wisdom through public lectures on theatre and art entrepreneurship, contributing to the global discourse on the transformative power of the arts.
Mxolisi Masilela’s commitment to nurturing talent extends to his mentorship of eight South African MA graduates and four self-taught artists. This investment in the next generation of theatre creatives cements his legacy as a guiding force in the world of theatre.
His roles as director of the 2021 Zwakala Festival, board member of the Stand Foundation and member of the Georgetown University collective known as the Woodshed Collective in the USA highlight his active involvement in shaping the broader theatrical landscape. Mxolisi’s influence is not confined to the stage; he actively contributes to the development and sustainability of the arts as a whole.
Mxolisi Masilela’s crowning achievement, becoming a Naledi Award-winning theatre maker, is a testament to his indomitable spirit and invaluable contributions to the world of theatre. The Naledi Award, a prestigious recognition within the South African theatre community, symbolises the acknowledgment of Mxolisi’s exceptional talent and impact on the performing arts.
His name is etched in the annals of theatrical greatness, and Mxolisi Masilela continues to inspire and illuminate the stage with his talent and boundless passion for the performing arts. The legacy he is building extends far and wide.
You have helped to establish the first Independent Theatre Maker Awards – why the need for this?
The first Independent Theatre Maker Awards has arisen from a need to recognise and celebrate the contributions of independent theatre makers, who often work outside of traditional theatre structures. These awards will help shine a spotlight on innovative and boundary-pushing work that may not receive mainstream recognition, fostering a sense of community and support within the independent theatre scene. Additionally, they will provide validation and encouragement for artists working in challenging and often under-resourced environments.
There are so many things many South Africans do not have access to: enough food, water, a decent income. Is theatre important in a country like ours?
Yes, theatre can be incredibly important in a country like South Africa. It has the power to amplify marginalised voices, spark conversations about social issues and inspire collective action towards positive change. Theatre can serve as a platform for expressing struggles, fostering empathy and building community resilience amid challenges like food and water insecurity and economic inequality.
There are many ways in which South Africans can be entertained. Is this the purpose of theatre – to entertain?
Entertainment is certainly one purpose of theatre, but it’s not the only one. Theatre can also serve to educate, be thought-provoking, inspire, challenge societal norms and evoke emotional responses. Depending on the production and its intentions, theatre can fulfil various purposes beyond just entertainment, including social commentary, cultural preservation and fostering empathy and understanding.
Why acknowledge the work of independent theatre makers at an awards event like the one recently hosted in Tembisa?
Acknowledging the work of independent theatre makers at awards events like the one in Tembisa is important for several reasons. Firstly, it validates their contributions to the cultural landscape, recognising their creativity and talent. Secondly, it provides them with exposure and opportunities for networking, funding and future collaborations. Additionally, celebrating independent theatre helps to diversify the arts scene, ensuring that a variety of voices and perspectives are heard and appreciated. Overall, it fosters a supportive community for artists to thrive and continue creating impactful work.
Please would you tell me about the actors and theatre makers who won the prizes – and why we need to know about them?
Sure. Knowing about actors and theatre makers who have won prizes can provide insight into the current trends and talent in the industry. It allows us to appreciate their contributions to the arts, understand the types of performances and productions that are being celebrated, and perhaps even discover new works or artists to explore. Additionally, recognising their achievements can inspire aspiring actors and theatre makers and highlight the importance of the arts in society.
Winners’ list:
- Community Theatre Builder of the Year: Mandisi Dr Disi Sindo
- Lifetime Achievement: Lucky “Professor” Kgafela
- Sibusiso Khwinana Award: Sibusiso Khwinana
- Best Production: Woza Albert
- Best Director: Botshelo Mmutle – Who left the fridge open
- Best Actor – Male: Hamilton Dlamini – Woza Albert
- Best Actor – Female: Idebeth Ranake – Who left the fridge open
- Best Supporting Actor – Male: Kutollo Mashifane
- Best Supporting Actor – Female: Zaza Cala – Imxinwa
- Best Ensemble: Imxinwa
- Best New Script: My fellow South Africans by Mike van Graan
- Best Original Script: Prayers
- Best Student Production: Kidding by Thabang Chauke
- Best Dance Production: Umnikelo by Luyanda Sidiya
- Best Choreographer: Luyanda Sidiya
- Best Costume Design: Pula: The musical cast
- Best Set Design: Karabo Legoabe – Who left the fridge open
- Best Musical: Imxinwa
- Best Musical Composition: Selekane Tumelo Mdabuli
- Best of Tembisa Theatre Week: Mshovara
- Best Lead in a Musical: Herman Dipolelo Malema – Pienaar: The musical
- Best Solo Performance: Kim Blanche Adonis – My fellow South Africans
What can an ordinary citizen in this country do to help ensure that theatre stays alive and kicking, regardless of all the economic challenges we all face?
- Attend performances.
- Spread the word about shows.
- Donate to local theatres.
- Volunteer time or skills.
- Advocate arts funding.
- Participate in fundraising events.
- Support arts education initiatives.
Are there enough productions in all South African languages taking place, and where can people see some of them?
Yes – at Tembisa Theatre Week and 12/12 Theatre.
Also read:
LitNet | STAND: Teaterresensieslypskool 2023 | Theatre review workshop 2023
Afrikaans, Afrikaans and not a drop of Zulu, Xhosa or Tswana to drink
Om tot ’n STAND te kom. Gesprekke rondom die voortbestaan van die uitvoerende kunste in Suid-Afrika
Teaterliefhebbers in Johannesburg byeen om kunstenaars te ondersteun