Litnet

"The book is fabulous: ironic, moving, sacrilegious, shocking, painful, insightful."

"Even if it doesn’t feel like we live in a rights-based constitutional democracy with equal access to the law and to the free exchange of ideas, which is what universities are for, we have no option but to continue to believe and act as if we do. Perhaps that explains his determination to hold on to the idea that people can and should do better. It’s part of his belief in the university as an institution."

"He wants to be alone to remake himself in conditions of aloneness, of brief solitariness. Here begins his exploration. He is a tabula rasa on which he can rewrite his story. He explores the place geographically, establishes a frame within which to live his life. He discovers new ways, new routines, sees new things."

"The first time I broke bad news to a real, live family it went horribly. If it were an OSCE (objective structured clinical examination) station, I would have failed."

"Reading this novel and its record of great suffering and the profound emotional dislocations brought about by exile and migration, is arduous, often harrowing and disturbing; but as a narrative, Aya Dane is an immense and lasting achievement."

On 10 December Aoife Lennon-Ritchie spoke to Gabeba Baderoon and Sifton Anipare about getting published, emigrating and feminism.

"There are plenty of fight scenes. The battles are impressively detailed, and sometimes shocking or gross. I think this is one of the book’s strongest points. The violence is completely unfiltered, with everything from a simple jab to the crunch of a bone breaking."

"And then, out of a crowd, there he was – standing at my table with his hand held out. To this day I can still hear his voice in my head, see that wry smile. ‘James Woodhouse,’ he said. ‘I’m Wilbur Smith.’ As if he needed to introduce himself."

PEN South Africa is excited to announce a new six-episode season of The Empty Chair podcast.

How do we represent Africa as a multicultural, multifaceted continent to our readers? How do we embrace diversity in early readers for Africa’s kids? And how do we market our wonderful African stories to a Eurocentric world?

In this, the fifth episode of his monthly podcast series, David Attwell talks to Zakes Mda about his latest, and possibly his last, novel. 

"This is a simple tale of a love-struck man, wanting out from what has become a tedious and unfulfilling life. In essence, it is a tragicomedy, a fated love story, a fable of our times, in which Tubby Reddy is himself complicit."

It’s that time again! Join us for our fifth annual #ReadingAfrica Week celebration. Each year, in the first full week of December (this year, December 5–11, 2021), we invite publishers, authors, librarians, literary organisations, bookstores and book lovers of all kinds to share the best in African literature across social media.

If you number yourself among the yearners, or perhaps even want to dip your toes in the waters of fiction, or need to satisfy your curiosity about what being “sunnies” to an author’s wild imaginings entails, then why not join PEG’s climactic webinar of 2021?

"Sol T Plaatje: A life in letters provides an important glimpse into the life of Plaatje, his ideas, his relationships and the world in which he lived. Another important feature of note in the book is the index, which is critically important and will greatly ease the task of future researchers."

Poet PJ Philander was born on 25 November 1921. Nearing what would have been PJ Philander’s 100th birthday, his son Peter Harker Philander shares an essay about his father with LitNet readers: "[PJ Philander] missed Afrikaans and Afrikaans speakers and sought them out when he could."

While this book exposes corporate corruption and lifts the lid on foreign profiteering and the weakening of South Africa’s public institutions, it also highlights the lonely burden of the whistleblower and the great personal cost of telling the truth in the face of overwhelming pressure.

Janet van Eeden: "I tried to interview Athol Williams about his new book of poetry called Whistleblowing, but the timing was never quite right, as he was fearing for his safety. Therefore, I put together comments of my own and quoted from poems from his above publication to create a commentary, and also cited an earlier interview I did with Williams in 2012."

"The elections bring more uncertainty in the system. The elections show that the ANC is indeed in trouble, but so is the DA."

"After planting the bomb, Harris phoned a warning to the station police and to two national newspapers half an hour before it was timed to explode, but no warning was relayed to station commuters on the concourse."