Henriëtte van Rensburg

Henriëtte van Rensburg completed a PhD entitled “A historical perspective on musical borrowing with specific reference to thematics in the free organ works by Buxtehude and Bach” at the North-West University, South Africa. She lectured at this university for 44 years, and also read papers at conferences in South Africa and Spain. She is currently a research fellow in the niche area Masara at the North-West University.

In the shadow of Brahms – Robert Fuchs and his First Piano Trio

Petro Engelbrecht, Bertha Spies, Henriëtte van Rensburg Opinion 2019-04-30

"This article deals with the relatively little-known composer Robert Fuchs, who used developing variation – a composition technique associated predominantly with Johannes Brahms – in his First Piano Trio."

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