Athol Fugard

Athol Fugard (1932). Born in a remote village in South Africa, Fugard grew up in Port Elizabeth, the setting for most of his plays. He attended Cape Town University, spent two years as the only white seaman on a merchant ship in the Far East, then returned to South Africa. In 1958, he moved to Johannesburg where he worked as a court clerk, an experience that made him keenly aware of the injustices of apartheid, the theme of many of his plays. In that same year, he organized a multiracial theater for which he wrote, directed, and acted.
    Fugard's attacks on apartheid brought him into conflict with the South African government. After his play Blood Knot (1961) was produced in England, the government withdrew his passport for four years. His support in 1962 of an international boycott against the South African practice of segregating theater audiences led to further restrictions. The restrictions were relaxed somewhat in 1971, when he was allowed to travel to England to direct his play Boesman and Lena (1969).
    A Lesson from Aloes won the 1980 New York Drama Critics' Circle Award. "Master Harold"... and the Boys (1982) premiered at the Yale Repertory Theatre and then was taken to Broadway. He is also the author of Cousins: A Memoir (1997).


Photo courtesy of Rosemarie Breuer


Opgedateer/Updated: 2006-09-01
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Playwright Athol Fugard receives award for lifetime contribution to theatre

Marli van Eeden, Athol Fugard Onderhoude 2019-03-28

"As with any award I have ever received, a small thought sneaks in: Did I really deserve this? Then, I look back on 50-plus years of writing plays and, yes, I guess one could call it a lifetime."

Athol Fugard en Pieter-Dirk Uys gesels met Paula Fourie

Pieter-Dirk Uys, Paula Fourie, Athol Fugard Teater 2015-05-07

"Everything in South Africa has always been political. It’s still the oxygen of our daily breath."

ABSA Chain: Athol Fugard in conversation with André P Brink

Athol Fugard, André P Brink Books and writers 2006-07-28

Dear André Rather silly for two old veterans like us to be relating to each other from the ends of a silly little “chain”, but here goes. As someone who has admired you over the years both as a man and an artist I would like to ...