
"Raak getref én tog onaangetas gelaat." Musical setting of parodic texts in Roelof Temmingh’s Met apologie
2022-08-02"Although this cycle demonstrates Temmingh’s ability to compose in various idioms and to imitate other composers very accurately, the songs also exhibit the composer’s own unique voice in an unmistakable way."

"Raak getref én tog onaangetas gelaat." Parodiërende toonsetting in Roelof Temmingh se Met apologie
2022-08-02"Die [artikel] toon hoe, in die geval van Temmingh se kunsliedsiklus Met apologie, die toonsetting van ’n gedig die teks nie net musikaal inklee nie, maar ’n addisionele dimensie of interpretasievlak aan die gedig toevoeg."